Remy Ma Found Guilty In Shooting Of Friend

Remy Ma was found guilty on two charges of assault Thursday (March 27) in Manhattan Supreme Court. She faces up to 25 years if convicted on both counts.

The rapper, 26, wiped away tears as the verdict was read, then “wailed loudly and sobbed openly” as she left the courtroom in handcuffs, according to The Associated Press.

The charges stem from an incident that occurred last July when the rapper and Makeda Barnes-Joseph argued after leaving a mutual acquaintance’s birthday party. Remy Ma alleged Barnes-Joseph stole several thousand dollars from her purse that night; Barnes-Joseph was shot after the two struggled in her car. Remy Ma fled the scene in an SUV but crashed nearby. Neither the money nor the weapon have been found.

Charges of tampering and gang assault, related to the case, were thrown out, the rapper’s attorney, Ivan Fisher, told MTV News on Thursday. Sentencing for the case is scheduled for April 22.

Fisher told MTV News he intends to file an appeal for his client immediately.

“The jury acquitted the second half of the indictment,” he said, referring to the tampering and intimidation charges. “That will help the appeal because that evidence, those charges, shouldn’t have been in the case to begin with. And there are other issues we think may turn the conviction around.”

However, he conceded, “It’s a bad day.”

The back-and-forth in the case has been contentious from the beginning.

During the opening arguments, Fisher characterized Barnes-Joseph as a celebrity groupie. He told the jury Barnes-Joseph was misrepresenting events in an effort to win a big financial payoff. She filed a $10 million civil lawsuit against the rapper but later withdrew it, according to Fisher.

Prosecutors attempted to paint Remy Ma as a gun-toting intimidator. Assistant District Attorney Jason Berland told jurors the rapper was calculating and bullying, citing an August incident during which a group of men allegedly close to Remy Ma assaulted Barnes-Joseph’s boyfriend and broke his nose. Charges were brought against the rapper for intimidation but were thrown out in the conviction. Prosecutors also noted the gun Remy Ma carried was loaded with hollow-point bullets, intended to severely cause injury.

From the beginning the former Terror Squad rapper maintained her innocence, telling a group of reporters at her New Jersey home shortly after the incident that she did not shoot her friend. During closing remarks, however, her attorney conceded his client did in fact shoot Barnes-Joseph, but labeled it an accident. Fisher told jurors the weapon went off while the two women struggled with each other during their argument.

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Eliot Spitzer and Kristin “Billie” Davis and “Wicked Models”

According to the New York Post disgraced former New York Governor Eliot Spitzer has been linked to a second prostitution ring, this one called “Wicked Models.”

“Wicked Models,” headed by Kristin “Billie” Davis, was busted on Tuesday by Manhattan police. Davis was believed to have earned several million dollars from a lengthy list of clients, one of whom was Spitzer.

It has been nearly two weeks since Spitzer resigned as governor following the revelation that he had been using the services of Emperors Club VIP, a high-priced prostitution ring that had been previously busted.

Kristin “Billie” Davis, 32, was arrested on Monday and is currently being held on $2 million bail.

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Heath benedict dead

Heath Benedict, a two-time Little All-American offensive lineman from Newberry College in South Carolina, was found dead on a couch in his home.

Jacksonville police said no foul play is suspected in the death of the 24-year-old Benedict, a 6-6, 320-pound junior who had planned to enter the NFL draft.

Jacksonville police spokesman Ken Jefferson said Benedict’s body was taken to the medical examiner’s office to determine the cause of his death. He was found dead Wednesday evening.

Benedict, a native of the Netherlands, transferred to Newberry, an NCAA Division II school, for the 2004 season after redshirting at Tennessee as a freshman in 2002. He played high school football at the Peddie School in Hightstown, N.J.

Sporting News’ Draft ’08 guide ranked Benedict, 6-6 and 335 pounds according to his biography on Newberry’s website, as the ninth-best player at the guard position in this year’s draft class and projected him to be a fourth-round selection.

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Parents of Billy Wolfe File Lawsuit Against Bullies

Keywords:veryonehatesbilly, everyone hates billy wolf, everyone hates billy site, everyone hates billy website, billy wolf

The parents of Billy Wolfe,

a 16-year old high school student in Fayetteville, Arkansas, filed a lawsuit against one of Billy’s bullies.

Since elementary school, Wolfe has been bullied by several classmates. As a matter of fact, bullying Wolfe has become a school activity as various people have joined in on the verbal and physical assault over the years.

Wolfe, a sophomore at Fayetteville High School, has been videotaped being bullied. One video shows a bully jumping Billy on the school bus and slamming his head against the window. A second video, which was taken by a bully’s accomplice, shows a bully getting out of a car at Billy’s bus stop, walking up to him, and punching him in the face.

The students at his school have even created a Facebook page entitled “Everyone Hates Billy Wolfe” and another Internet post that claims that Billy is gay. The “Everyone Hates Billy Wolfe” page has been deleted on Facebook, the popular social networking site.

The group have been replaced on the site by groups such as “Everybody Loves Billy Wolfe” and support groups for people that were bullied ever since Wolfe’s story has made national news.

After talking to the parents of the bullies to school administrators, the Wolfe family has finally filed a lawsuit against one of the bullies.

Pregnant man????(Keywords:thomas beatie, man pregnant, good morning america, advocate, lee mingwei )

(Keywords:thomas beatie, man pregnant, good morning america, advocate, lee mingwei )

Expecting baby in July??

An Oregon transgendered man who used to be a woman says he is five-months pregnant.

Thomas Beatie, who’s expecting a girl, tells his story in a first-person account published in “The Advocate” magazine.

Beatie is legally a male and lives with his wife, Nancy. He claims to have stopped taking his testosterone injections to get pregnant, and that conception was achieved through home insemination.

“Sterilization is not a requirement for sex reassignment, so I decided to have chest reconstruction and testosterone therapy but kept my reproductive rights,” he writes in the article for the gay and lesbian magazine.

“How does it feel to be a pregnant man? Incredible,” he adds. “Despite the fact that my belly is growing with a new life inside me, I am stable and confident being the man that I am.”

Beatie is expected to give birth in July. In the short article he also speaks about the ostracism he has suffered as a result of his condition.

“Health care professionals have refused to call me by a male pronoun or recognize Nancy as my wife. Receptionists have laughed at us. Friends and family have been unsupportive; most of Nancy’s family doesn’t even know I’m transgender.”

Actor Richard Widmark dies at 93(Keywords:susan blanchard, kiss of death, sandy koufax, d. b. cooper, widmark )

The Keywords:(susan blanchard, kiss of death, sandy koufax, d. b. cooper, widmark)

Richard Widmark, who created a villain in his first movie role who was so repellent and frightening that the actor became a star overnight, died Monday at his home in Roxbury, Connecticut. He was 93.

His death was announced Wednesday morning by his wife, Susan Blanchard. She said that Mr. Widmark had fractured a vertebra in recent months and that his conditioned had worsened.

As Tommy Udo, a giggling, psychopathic killer in the 1947 gangster film “Kiss of Death,” Mr. Widmark tied up an old woman in a wheelchair (played by Mildred Dunnock) with a cord ripped from a lamp and shoved her down a flight of stairs to her death.

“The sadism of that character, the fearful laugh, the skull showing through drawn skin, and the surely conscious evocation of a concentration-camp degenerate established Widmark as the most frightening person on the screen,” the critic David Thomson wrote in “The Biographical Dictionary of Film.”

The performance won Mr. Widmark his sole Academy Award nomination, for best supporting actor.

Tommy Udo made the 32-year-old Mr. Widmark, who had been an established radio actor, an instant movie star, and he spent the next seven years playing a variety of flawed heroes and relentlessly anti-social mobsters in 20th Century Fox’s juiciest melodramas.

His mobsters were drenched in evil. Even his heroes, including the doctor who fights bubonic plague in Elia Kazan’s “Panic in the Streets” (1950), the daredevil pilot flying into the eye of a storm in “Slattery’s Hurricane” (1949) and the pickpocket who refuses to be a traitor in Samuel Fuller’s “Pickup on South Street” (1953) were nerve-strained and feral.

“Movie audiences fasten on to one aspect of the actor, and then they decide what they want you to be,” Mr. Widmark once said. “They think you’re playing yourself. The truth is that the only person who can ever really play himself is a baby.”

In reality, the screen’s most vicious psychopath was a mild-mannered former teacher who had married his college sweetheart, the actress Jean Hazelwood, and who told a reporter 48 years later that he had never been unfaithful and had never even flirted with women because, he said, “I happen to like my wife a lot.”

He was originally turned down for the role of Tommy Udo by the movie’s director, Henry Hathaway, who told Mr. Widmark that he was too clean-cut and intellectual. It was Darryl Zanuck, the Fox studio head, who, after watching Mr. Widmark’s screen test, insisted that he be given the part.

Among the 65 movies he made over the next five decades were “The Cobweb” (1955), in which he played the head of a psychiatric clinic where the staff seemed more emotionally troubled than the patients; “Saint Joan” (1957) , as the Dauphin to Joan Seberg’s Joan of Arc; John Wayne’s “The Alamo” (1960), as Jim Bowie, the inventor of the Bowie knife; “Judgment at Nuremberg” (1961), as an American army colonel prosecuting German war criminals; and John Ford’s revisionist western “Cheyenne Autumn” (1963), as an army captain who risks his career to help the Indians.

The genesis of “Cheyenne Autumn” was research Mr. Widmark had done at Yale into the suffering of the Cheyenne. He showed his work to John Ford and, two years later, Ford sent Mr. Widmark a finished screenplay.

Mr. Widmark created the role of Detective Sergeant Daniel Madigan in Don Siegel’s 1968 film “Madigan.” It proved so popular that he later played the loner Madigan on an NBC television series during the 1972-73 season.

As his blonde hair turned grey, Mr. Widmark moved up in rank, playing generals in the nuclear thriller “Twilight’s Last Gleaming” (1977) and “The Swarm” (1978), in which he waged war on bees. He was the evil head of a hospital in “Coma” (1978) and a United States Senator in “True Colors” (1991).

He was forever fighting producers’ efforts to stereotype him. Indeed, he became so adept at all types of roles that he consistently lent credibility to inferior movies and became an audience favorite over a career that spanned more than half a century.

“I suppose I wanted to act in order to have a place in the sun,” he once told a reporter. “I’d always lived in small towns, and acting meant having some kind of identity.”

Richard Widmark (he had no middle name) was born on Dec. 26, 1914, in Sunrise, Minnesota, and grew up throughout the Midwest. His father, Carl Widmark, was a traveling salesman who took his wife, Mae Ethel, and two sons from Minnesota to Sioux Falls, South Dakota; Henry, Illinois; Chillicothe, Missouri; and Princeton, Illinois, where Mr. Widmark graduated from high school as senior class president.

Movie crazy, he was afraid to admit his interest in the “sissy” job of acting. On a full scholarship at Lake Forest College in Illinois, he played end on the football team, took third place in a state oratory contest, starred in plays and was, once again, senior class president.

Graduating in 1936, he spent two years as an instructor in the Lake Forest drama department, directing and acting in two dozen plays. Then he headed to New York City in 1938, where one of his classmates was producing 15-minute radio soap operas and cast Mr. Widmark in a variety of roles.

“Getting launched was easy for me – too easy, perhaps,” he said of his success playing “young, neurotic guys” on “Big Sister,” “Life Can Be Beautiful,” “Joyce Jordan, M.D.,” “Stella Dallas,” “Front Page Farrell,” “Aunt Jenny’s Real Life Stories” and “Inner Sanctum.”

At the beginning of World War II, Mr. Widmark tried to enlist in the army but was turned down three times because of a perforated eardrum. So he turned, in 1943, to Broadway. In his first stage role, he played an Army lieutenant in F. Hugh Herbert’s “Kiss and Tell,” directed by George Abbott. Appearing in the controversial play “Trio,” which was closed by the License Commissioner after 67 performances because it touched on lesbianism, he received glowing reviews as a college student who fights to free the girl he loves from the domination of an older woman.

After a successful, 10-year career as a radio actor, he tried the movies with “Kiss of Death,” which was being filmed in New York. Older than most new recruits, he was, to his surprise, summoned to Hollywood after the movie was released. “I’m probably the only actor who gave up a swimming pool to go out to Hollywood,” Mr. Widmark told The New Yorker in 1961.

He had never expected 20th Century Fox to pick up the option on the contract he was forced to sign to get the role of Tommy Udo. During the seven years of his Fox contract, he starred in 20 movies, including “Yellow Sky” (1948), as the blackguard who menaces Gregory Peck; “Down to the Sea in Ships” (1949), as a valiant whaler; Jules Dassin’s “Night and the City” (1950), as a small- time hustler who dreams of becoming a wrestling promoter; and “Don’t Bother to Knock” (1952), in which the tables were turned and he was the prey of a psychopathic Marilyn Monroe.

A passionate liberal Democrat, Mr. Widmark played a bigot who baits a black doctor in Joseph Mankiewicz’s “No Way Out” (1950). He was so embarrassed by the character that after every scene he apologized to the young actor he was required to torment, Sidney Poitier. In 1990, when Mr. Widmark was given the D.W. Griffith Career Achievement Award by the National Board of Review, it was Poitier who presented it to him.

Within two years after his Fox contract ended, Mr. Widmark had formed a production company and produced “Time Limit” (1957), a serious dissection of possible treason by an American prisoner of war that the New York Times called “sobering, important and exciting.” Directed by the actor Karl Malden, “Time Limit” starred Mr. Widmark as an army colonel who is investigating a major (Richard Basehart) who is suspected of having broken under pressure during the Korean War and aided the enemy.

Mr. Widmark produced two more films: “The Secret Ways” (1961) in which he went behind the Iron Curtain to bring out an anti-Communist leader; and “The Bedford Incident” (1964), another Cold War drama, in which he played an ultraconservative naval captain trailing a Russian submarine and putting the world in danger of a nuclear catastrophe.

Mr. Widmark told the Guardian in 1995 that he had not become a producer to make money but to have greater artistic control. “I could choose the director and my fellow actors,” he said. “I could carry out projects which I liked but the studios didn’t want.”

He added: “The businessmen who run Hollywood today have no self-respect. What interests them is not movies but the bottom line. Look at ‘Dumb and Dumber,’ which turns idiocy into something positive, or ‘Forrest Gump,’ a hymn to stupidity. ‘Intellectual’ has become a dirty word.”

He also vowed he would never appear on a talk show on television, saying, “When I see people destroying their privacy – what they think, what they feel – by beaming it out to millions of viewers, I think it cheapens them as individuals.”

In 1970, he won an Emmy nomination for his first television role, as the president of the United States in a mini-series based on Fletcher Knebel’s novel “Vanished.” By the 1980s, television movies had transformed the jittery psychopath of his early days into a wise and stalwart lawman. He played a Texas Ranger opposite Willie Nelson’s train robber in “Once Upon a Texas Train,” a small-town police chief in “Blackout” and, most memorably, a bayou country sheriff faced with a group of aged black men who have confessed to a murder in “A Gathering of Old Men.”

“The older you get, the less you know about acting,” he told one reporter, “but the more you know about what makes the really great actors.” The actor he most admired was Spencer Tracy, because, he said, Tracy’s acting had a reality and honesty that seemed effortless.

Mr. Widmark, who hated the limelight, spent his Hollywood years living quietly on a large farm in Connecticut and an 80-acre horse ranch in Hidden Valley, north of Los Angeles. Asked once if he had been “astute” with his money, he answered, “No, just tight.”

He sold the ranch in 1997 after the death of Ms. Hazelwood, his wife of 55 years. “I don’t care how well known an actor is,” Mr. Widmark insisted. “He can lead a normal life if he wants to.”

Besides his wife, Ms. Blanchard, Mr. Widmark is survived by his daughter, Anne Heath Widmark, of Santa Fe, New Mexico, who had once been married to the Hall of Fame pitcher Sandy Koufax.

Well into his later years, the nonviolent, gun-hating Mr. Widmark, who described himself as “gentle,” was accosted by strangers who expected him to be a tough guy. There is even a story that Joey Gallo, the New York mobster, was so taken by Mr. Widmark’s performance in “Kiss of Death” that he copied the actor’s natty posture, sadistic smirk and tittering laugh.

“It’s a bit rough,” Mr. Widmark once said, “priding oneself that one isn’t too bad an actor and then finding one’s only remembered for a giggle.”

Intellpuke: You can read this article by New York Times writer Aljean Harmetz, reporting from New York City, N.Y., in context here:

Actor Richard WidmarkDies at 93(Keywords:susan blanchard, kiss of death, sandy koufax, d. b. cooper, widmark )

Richard Widmark, who created a villain in his first movie role who was so repellent and frightening that the actor became a star overnight, died Monday at his home in Roxbury, Conn. He was 93.

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20th Century Fox

Richard Widmark, left, with Victor Mature in the 1947 film “Kiss of Death.”

Chester Higgins Jr./The New York Times

Richard Widmark in his Manhattan apartment in 2001.

His death was announced Wednesday morning by his wife, Susan Blanchard. She said that Mr. Widmark had fractured a vertebra in recent months and that his conditioned had worsened.

As Tommy Udo, a giggling, psychopathic killer in the 1947 gangster film “Kiss of Death,” Mr. Widmark tied up an old woman in a wheelchair (played by Mildred Dunnock) with a cord ripped from a lamp and shoved her down a flight of stairs to her death.

“The sadism of that character, the fearful laugh, the skull showing through drawn skin, and the surely conscious evocation of a concentration-camp degenerate established Widmark as the most frightening person on the screen,” the critic David Thomson wrote in “The Biographical Dictionary of Film.”

The performance won Mr. Widmark his sole Academy Award nomination, for best supporting actor.

Tommy Udo made the 32-year-old Mr. Widmark, who had been an established radio actor, an instant movie star, and he spent the next seven years playing a variety of flawed heroes and relentlessly anti-social mobsters in 20th Century Fox’s juiciest melodramas.

His mobsters were drenched in evil. Even his heroes, including the doctor who fights bubonic plague in Elia Kazan’s “Panic in the Streets” (1950), the daredevil pilot flying into the eye of a storm in “Slattery’s Hurricane” (1949) and the pickpocket who refuses to be a traitor in Samuel Fuller’s “Pickup on South Street” (1953) were nerve-strained and feral.

“Movie audiences fasten on to one aspect of the actor, and then they decide what they want you to be,” Mr. Widmark once said. “They think you’re playing yourself. The truth is that the only person who can ever really play himself is a baby.”

In reality, the screen’s most vicious psychopath was a mild-mannered former teacher who had married his college sweetheart, the actress Jean Hazelwood, and who told a reporter 48 years later that he had never been unfaithful and had never even flirted with women because, he said, “I happen to like my wife a lot.”

He was originally turned down for the role of Tommy Udo by the movie’s director, Henry Hathaway, who told Mr. Widmark that he was too clean-cut and intellectual. It was Darryl Zanuck, the Fox studio head, who, after watching Mr. Widmark’s screen test, insisted that he be given the part.

Among the 65 movies he made over the next five decades were “The Cobweb” (1955), in which he played the head of a psychiatric clinic where the staff seemed more emotionally troubled than the patients; “Saint Joan” (1957) , as the Dauphin to Joan Seberg’s Joan of Arc; John Wayne’s “The Alamo” (1960), as Jim Bowie, the inventor of the Bowie knife; “Judgment at Nuremberg” (1961), as an American army colonel prosecuting German war criminals; and John Ford’s revisionist western “Cheyenne Autumn” (1963), as an army captain who risks his career to help the Indians.

The genesis of “Cheyenne Autumn” was research Mr. Widmark had done at Yale into the suffering of the Cheyenne. He showed his work to John Ford and, two years later, Ford sent Mr. Widmark a finished screenplay.

Mr. Widmark created the role of Detective Sergeant Daniel Madigan in Don Siegel’s 1968 film “Madigan.” It proved so popular that he later played the loner Madigan on an NBC television series during the 1972-73 season.

As his blonde hair turned grey, Mr. Widmark moved up in rank, playing generals in the nuclear thriller “Twilight’s Last Gleaming” (1977) and “The Swarm” (1978), in which he waged war on bees. He was the evil head of a hospital in “Coma” (1978) and a United States Senator in “True Colors” (1991).

He was forever fighting producers’ efforts to stereotype him. Indeed, he became so adept at all types of roles that he consistently lent credibility to inferior movies and became an audience favorite over a career that spanned more than half a century.

“I suppose I wanted to act in order to have a place in the sun,” he once told a reporter. “I’d always lived in small towns, and acting meant having some kind of identity.”

Richard Widmark (he had no middle name) was born on Dec. 26, 1914, in Sunrise, Minn., and grew up throughout the Midwest. His father, Carl Widmark, was a traveling salesman who took his wife, Mae Ethel, and two sons from Minnesota to Sioux Falls, S.D.; Henry, Ill.; Chillicothe, Mo.; and Princeton, Ill., where Mr. Widmark graduated from high school as senior class president.

Movie crazy, he was afraid to admit his interest in the “sissy” job of acting. On a full scholarship at Lake Forest College in Illinois, he played end on the football team, took third place in a state oratory contest, starred in plays and was, once again, senior class president.

Graduating in 1936, he spent two years as an instructor in the Lake Forest drama department, directing and acting in two dozen plays. Then he headed to New York City in 1938, where one of his classmates was producing 15-minute radio soap operas and cast Mr. Widmark in a variety of roles.

“Getting launched was easy for me — too easy, perhaps,” he said of his success playing “young, neurotic guys” on “Big Sister,” “Life Can Be Beautiful,” “Joyce Jordan, M.D.,” “Stella Dallas,” “Front Page Farrell,” “Aunt Jenny’s Real Life Stories” and “Inner Sanctum.”

At the beginning of World War II, Mr. Widmark tried to enlist in the army but was turned down three times because of a perforated eardrum. So he turned, in 1943, to Broadway. In his first stage role, he played an Army lieutenant in F. Hugh Herbert’s “Kiss and Tell,” directed by George Abbott. Appearing in the controversial play “Trio,” which was closed by the License Commissioner after 67 performances because it touched on lesbianism, he received glowing reviews as a college student who fights to free the girl he loves from the domination of an older woman.

After a successful, 10-year career as a radio actor, he tried the movies with “Kiss of Death,” which was being filmed in New York. Older than most new recruits, he was, to his surprise, summoned to Hollywood after the movie was released. “I’m probably the only actor who gave up a swimming pool to go out to Hollywood,” Mr. Widmark told The New Yorker in 1961.

He had never expected 20th Century Fox to pick up the option on the contract he was forced to sign to get the role of Tommy Udo. During the seven years of his Fox contract, he starred in 20 movies, including “Yellow Sky” (1948), as the blackguard who menaces Gregory Peck; “Down to the Sea in Ships” (1949), as a valiant whaler; Jules Dassin’s “Night and the City” (1950), as a small- time hustler who dreams of becoming a wrestling promoter; and “Don’t Bother to Knock” (1952), in which the tables were turned and he was the prey of a psychopathic Marilyn Monroe.

A passionate liberal Democrat, Mr. Widmark played a bigot who baits a black doctor in Joseph Mankiewicz’s “No Way Out” (1950). He was so embarrassed by the character that after every scene he apologized to the young actor he was required to torment, Sidney Poitier. In 1990, when Mr. Widmark was given the D.W. Griffith Career Achievement Award by the National Board of Review, it was Mr. Poitier who presented it to him.

Within two years after his Fox contract ended, Mr. Widmark had formed a production company and produced “Time Limit” (1957), a serious dissection of possible treason by an American prisoner of war that The New York Times called “sobering, important and exciting.” Directed by the actor Karl Malden, “Time Limit” starred Mr. Widmark as an army colonel who is investigating a major (Richard Basehart) who is suspected of having broken under pressure during the Korean War and aided the enemy.

Mr. Widmark produced two more films: “The Secret Ways” (1961) in which he went behind the Iron Curtain to bring out an anti-Communist leader; and “The Bedford Incident” (1964), another Cold War drama, in which he played an ultraconservative naval captain trailing a Russian submarine and putting the world in danger of a nuclear catastrophe.

Mr. Widmark told The Guardian in 1995 that he had not become a producer to make money but to have greater artistic control. “I could choose the director and my fellow actors,” he said. “I could carry out projects which I liked but the studios didn’t want.”

He added: “The businessmen who run Hollywood today have no self-respect. What interests them is not movies but the bottom line. Look at ‘Dumb and Dumber,’ which turns idiocy into something positive, or ‘Forrest Gump,’ a hymn to stupidity. ‘Intellectual’ has become a dirty word.”

He also vowed he would never appear on a talk show on television, saying, “When I see people destroying their privacy — what they think, what they feel — by beaming it out to millions of viewers, I think it cheapens them as individuals.”

In 1970, he won an Emmy nomination for his first television role, as the president of the United States in a mini-series based on Fletcher Knebel’s novel “Vanished.” By the 1980s, television movies had transformed the jittery psychopath of his early days into a wise and stalwart lawman. He played a Texas Ranger opposite Willie Nelson’s train robber in “Once Upon a Texas Train,” a small-town police chief in “Blackout” and, most memorably, a bayou country sheriff faced with a group of aged black men who have confessed to a murder in “A Gathering of Old Men.”

“The older you get, the less you know about acting,” he told one reporter, “but the more you know about what makes the really great actors.” The actor he most admired was Spencer Tracy, because, he said, Tracy’s acting had a reality and honesty that seemed effortless.

Mr. Widmark, who hated the limelight, spent his Hollywood years living quietly on a large farm in Connecticut and an 80-acre horse ranch in Hidden Valley, north of Los Angeles. Asked once if he had been “astute” with his money, he answered, “No, just tight.”

He sold the ranch in 1997 after the death of Ms. Hazelwood, his wife of 55 years. “I don’t care how well known an actor is,” Mr. Widmark insisted. “He can lead a normal life if he wants to.”

Besides his wife, Ms. Blanchard, Mr. Widmark is survived by his daughter, Anne Heath Widmark, of Santa Fe, N.M., who had once been married to the Hall of Fame pitcher Sandy Koufax.

Well into his later years, the nonviolent, gun-hating Mr. Widmark, who described himself as “gentle,” was accosted by strangers who expected him to be a tough guy. There is even a story that Joey Gallo, the New York mobster, was so taken by Mr. Widmark’s performance in “Kiss of Death” that he copied the actor’s natty posture, sadistic smirk and tittering laugh.

“It’s a bit rough,” Mr. Widmark once said, “priding oneself that one isn’t too bad an actor and then finding one’s only remembered for a giggle.”

Carla bruni sarkozy(Keywords:carla bruni, french first lady, bruni sarkozy, bruni, carla sarkozy )

Why suddenly Carla Bruni made it to the news today? Here is the answer…

French president Nicolas Sarkozy has started his first official visit to the UK — the day after it was reported that an auction house is to sell nude pictures of his new wife.

Auction house Christie’s is to sell this photograph of French first lady Carla Bruni-Sarkozy in April.

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Sarkozy and his wife, the former supermodel Carla Bruni-Sarkozy, were greeted by the Prince of Wales and Duchess of Cornwall after the presidential plane landed at London’s Heathrow airport Wednesday morning.

He was then escorted to Windsor, where he was formally received by the Queen and the Prince of Edinburgh before being taken by carriage through the town.

The French president will enjoy a full state banquet at Windsor Castle Wednesday night, where he will stay as the guest of the Queen. On Wednesday afternoon Sarkozy will address both House of Parliament in French.

But his wife Bruni-Sarkozy is likely to attract as much, if not more, attention than her husband during the two-day visit, during which she is expected to meet the UK royals and attend a lunch held in her honor by Sarah Brown, wife of the UK prime minister.

Auction house Christie’s is to sell photographs of former model Bruni-Sarkozy, taken by Michel Comte in 1993, in New York next month, The Associated Press reported Tuesday. The agency quoted the French president’s office as saying the sale is a private matter.

The UK media has covered the president‘s courtship of Bruni-Sarkozy and subsequent marriage in depth, with several using her visit as reason to reprint images from her modeling career.

Many observers in France see the presidential trip as a bid by Sarkozy to regain some of the popularity that saw him elected last May. Watch why Sarkozy is slipping in approval ratings at home. »

Since then he has provoked controversy at home with his high-profile relationship with Bruni-Sarkozy, as well as his attempts to shake up French pension and labor laws.

On Tuesday Sarkozy hinted that he might boycott the opening ceremony on the Beijing Olympics this summer, agencies reported, following pressure at home to take a tough line on the Chinese crackdown in Tibet.

Closer co-operation on Afghanistan, the credit crunch, immigration and nuclear power are all expected to dominate talks between Sarkozy and UK Prime Minister Gordon Brown.

In an interview with BBC Radio ahead of the visit, Sarkozy said that the UK and France needed to shift from “being cordial to being friendly”, the UK’s Press Association reported, adding that he wanted the relationship to be “fleshed out by concrete projects on the economy, immigration, security, defense.”

“It has been long enough now that we have not been at war, that we are not wrangling,” Sarkozy is reported to have said.

On Thursday Sarkozy is expected to have talks with UK prime minister Gordon Brown at Downing Street, followed by a UK-France summit at the Emirates Stadium, home to Arsenal Football Club, which boasts a French manager and high percentage of French playing staff.

He will then present record-breaking yachtswoman Ellen MacArthur with top French award the Legion d’Honneur at the Old Royal Naval College in Greenwich.
(Courtesy:CNN)

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